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The Reward of Sketching a Bonsai Tree for Mixed Media

Creating art is a journey, and every piece begins with understanding its subject. In Part Two of my mixed media series, I focus on a detailed charcoal sketch of the Raft Style “Goyomatsu” White Pine. This step helps me connect with the tree and refine the vision for my final artwork.

To start, I revisit the rule of thirds, a fundamental tool for achieving balance in composition. Positioning key elements accordingly, I can thereby ensure harmony within the piece. Next, I define the trunk line, evaluating what works and what needs adjustment. This exploration allows me to make thoughtful decisions about the tree’s structure.

Moving forward, I lay out the secondary branches while considering traditional bonsai styling principles. These branches play a crucial role in conveying movement and natural growth. Then, I explore the base of the trunk, or nabari, observing how it meets the ground and interacts with the clam-shell pot. The final stage of the sketch focuses on the foliage mass and texture, bringing the tree to life.

Each step in this process is intentional. Sketching allows me to refine my approach before committing to the final mixed media piece. This study will guide me as I transition to pastel drawing in Part Three.

Why Sketching Matters in the Artistic Process

Sketching is the bridge between inspiration and execution. It allows an artist to observe, analyze, and interpret before committing to a final piece. For this artwork, I needed to study the bonsai tree in depth—its structure, movement, and balance—so that my final mixed media composition would not just depict the tree but capture its essence.

By creating this charcoal study, I familiarize myself with the trunk line, explore how it interacts with the ground and pot, and refine the branching structure. These foundational decisions will guide the next phase—bringing the tree to life in pastel.

Building on Composition: The Rule of Thirds

A strong composition is key to creating a compelling artwork. I begin this sketch by referencing the Rule of Thirds, a classic compositional tool that ensures balance and harmony within a piece. This method helps me position the tree in a way that feels both natural and aesthetically pleasing.

Breaking Down the Sketching Process

In the video, I take you step by step through the process of sketching the tree:

  • Defining the trunk line – Establishing the flow and energy of the tree.
  • Laying out the secondary branches – Exploring how the tree’s movement is expressed through its structure.
  • Outlining the base (Nabari) and pot – Connecting the tree to its environment.
  • Shaping the foliage mass and texture – Giving the tree depth and life.

By carefully working through each element, I ensure that the final artwork is not just an accurate representation but a dynamic and thoughtful interpretation of the tree’s unique form.

Looking Ahead: From Sketch to Pastel

This charcoal sketch is not the end—it is a stepping stone. In Part Three of the series, I will take this study and translate it into pastel, further refining the tree and deepening its presence within the composition.

Join the Journey

Art is about process, exploration, and continuous learning. I invite you to follow along as I document this creative journey, sharing insights into how an artwork takes shape from concept to completion.

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Have you ever used sketching as part of your creative process? Let me know in the comments!

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Drawing the Basic Conceptual Layout of exciting Bonsai Artwork

Finding Inspiration

I began this project with a deep appreciation for the Goyomatsu bonsai. Its multi-trunk form symbolizes strength and balance. The idea to pair it with the elegant kanji for “Goyomatsu” came naturally. I wanted to create a dialogue between tradition and nature.

The marble paper provided the perfect background. Its organic patterns complemented the bonsai’s fluid form. Choosing the right floating frame was also essential. I needed a frame that would elevate the finished piece and give it the attention it deserved.

Planning the Composition

I carefully laid out the composition using the Rule of Thirds. This approach helped balance the elements within the artwork. Sketching the bonsai in charcoal allowed me to capture its dynamic structure. Next, I positioned the kanji to maintain visual harmony.

Developing the Artwork

A value study came next. This helped assess the light and dark areas to ensure depth. Compressed charcoal added bold, rich tones. I experimented with different background textures and marks to create a layered, dynamic feel.

Inspiring Creativity

This video series aims to be instructional. I hope to inspire viewers to create their own artwork or simply enjoy the process. There’s beauty in both bonsai and creativity, and I’m excited to share this journey.

Stay tuned for more updates as this project unfolds. Let’s explore the creative possibilities together.

Thank you for joining me on this journey!

Don’t forget to check out my other videos and subscribe to my channel for more art tips and tutorials!

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Value Structure – Separating Light from Dark

This video describes for you in detail how I structure my values within a Charcoal drawing. Value Structure in a drawing is a measurement between light values (high key) to dark values (low key). By modulating your those values one can create drama, textural effects and depth of space. The name of the drawing I’m demonstrating on is “Walk Bridge”. My charcoal drawing is for an art show at the San Diego Japanese Friendship Garden in Balboa Park. The exhibit is from November 2021 to January 2022.

These are the materials I used:

Strathmore 400 Series Smooth Surface Paper

General’s PurePowder Charcoal

Winsor Newton (vine) Willow Charcoal Sticks

Chamois

Kneaded Rubber

I like to start out with my area of focus; in this case the walkway bridge. I begin removing the charcoal with the chamois. I work in this method in this as a way to not “fuss” with detail, much like using a large brush will do. From the bridge, I begin removing charcoal to create a circular composition. This is a classical approach where you can move the eye around the subject. The chamois creates a nice soft edge. Soft edges will produce the illusion of light wrapping around objects. These edges will create transitions (passages) from background to foreground.

I hope you enjoy this video. Feel free to contact me if you have any question.

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